MillerMUSI322

      Today we're going to be talking about the versatility in Dutch speaking countries as the title suggests. You will learn a lot about the versatility engraved in these cultures. Helemaal niets is a Dutch phrase and it translates to absolutely nothing. This is exactly what it seems like these countries can't do.  The first person we're going to talk about is Julian Coco. According to the Tour de Force, he was born 1924 at the ripe age of 0 in Curacao. Grewing up, he taught himself how to play the guitar. With this simple knowledge he sought out more, so he went to the Amsterdam Conservatory where he studied double bass and classic guitar.  The picture above, I think, is a perfect representation of his skill and talent. He's seen playing his guitar in what I presume to be the classical style.  In this video you can see his personality shine. More importantly, you can see his skill as he rifts on his guitar.  We now leave Curacao a...

      Many different versatile artists are named in the second chapter of the book Tour De Force. I will be focusing mostly on artist from Haiti. Each of these artists contain immense talents. The First artist, Ludovic Lamothe was born in 1832. Lamothe was born in Pot-au-Prince and was a composer who studied the piano in Paris for many years.  This is a picture of Ludovic Lamothe playing on a piano with one hand. This picture is also depicted in the book Tour De Force. I like this picture because to me, it shows what he's known for as well as a bit of his confidence. You may be asking, well how is he versatile? First of all, that's pretty rude. Secondly, as mentioned before he was both a pianist and composer. This is isn't a simple feat. Many pianist can read notes but composing an entire piece of music is an entirely different topic.  This song is called Sobo. I chose this song because it has a haunting feeling, and I find it very on brand for the date in ...

       Versatility in The Bahamas presents itself in may different ways. According to the Tour de France, whether we like it or not, the cause of many of Caribbean cultural aspects is due to foreigners. Namely being colonized by the British. Some of the byproducts named by the book is the Goombay festival and Rake and Scrape.                                    Below is a picture depicting the basic members of a Rake and Scrape group.  https://bahamasgeotourism.com/entries/cat-island-rake-scrape-festival/676b6a98-6735-45f9-8014-083e0d10c227      By definition rake and scape is versatile. Tour de France describes traditional rake and scrape music by being played with an accordion, Bombay drum and a carpenters saw. The sound of metal scraping the metal saw is how the genre got its name. "Momma don't want no raking and scraping in here" is somethin...

 This blog will discuss the creolization of music. Creolization is the intermixing of cultural aspects due to migration. More specifically I will focus on the creolization in The Bahamas.  We experience it by way of our music in Junkanoo. Junkanoo is an originally African slave custom that has been adopted by The Bahamas. They creolization occurs in that the parade itself an African slave custom whereas the music and the way the parade operates is a Bahamian custom.  http://flyairunlimited.com/2019/12/27/time-to-celebrate-the-junkanoo-festival/ https://youtu.be/D5ws7bNYMDY Religion in The Bahamas also has it variations of creolization. Methodism derives from London however, in The Bahamas its customs has be evolved to fit the Bahamian culture.  https://youtu.be/BdbS_r0DbHM